Pina (2011)

Dignity is the art of accentuating the positive.

Freedom is in denying reputed constraints.

More is corrupted in translation than is lost in incomprehension.

Images of foreign lands corroborate the existence of external reality. Familiar lands, conjured up by imagination and controlled by routine, merge with the internal.

One does not dance about architecture for the same reason one does not use one's right hand to mime a story about one's left hand. Both dancing and architecture serve similar purposes. Both are elements of the extended phenotype revealing a carrier who through resistance asserts existence.