11 June 2023

The Empire Strips Back

 (Logan Square Auditorium, 11 June 2023)

It is not difficult to improve on the films; the show accomplishes that much. The opening two acts are good. The show fails to pick up momentum, however. MC's rants before every number deserve some of the blame. (MC's one saving grace was the invocation of the Star Wars maxim "Win not by fighting what you hate but by saving what you love.") In addition, the weaker numbers should have been axed and the stronger ones expanded.

It is hard to think of a problem in life that cannot be solved by throwing mathematics at it, or money, or classical ballet training. The show is a testament of how much can be achieved with classical ballet training.

9 June 2023

"Parfit: A Philosopher and His Mission to Save Morality" by David Edmonds (2023)

One does not envy an ideal circle. Nor an ideal square. One does admire the ideal, though, for everything else can be obtained as a convex combination of ideals.

Parfit was an ideal. His intensity seemed unnatural and inaccessible to most and threatening to some. It may be tempting---it seems to have been tempting to the book's author---to deflect the perceived threat by saying: "While Parfit has brilliant, he was incapable of happiness, for he did not gorge---perhaps, because incapable of gorging---on what the masses habitually gorge on. He was different, and, therefore, defective." This temptation deserves resistance. One does not take solace in the perceived unhappiness of a theorem. The appropriate response to an individual who---be it thanks to his intellect, wealth, physical prowess, or beauty---strikes one as almost alien is the same as to a theorem: "thank you."

The ideal circle cannot be accused of eccentricity.

At times, the entire philosophical community may seem like a sorority, an elitist club whose members are cool not because of what they say (for most of the time what they say is either trivial or false) but because of how they say it. At other times, philosophy seems like an incubator of apolitical political thought, an arena where future leaders seek to define and engage with fundamental questions. It is probably both.

It is not clear that the cultural enterprise requires a philosophical leadership (or any leadership at all). Science appears to be capable of guiding itself rather well, without supervision by the elites. It does not appear that philosophers or philosophies have much influence on arms control negotiations, nuclear energy policies, or pandemic management. Agitators for special interests do, and they need slogans. These slogans may as well come from philosophy. But to equate philosophy with a slogan factory is to equate the All Souls College with the Media Arts Lab (except that the All Souls places its output into the public domain). The choices of agitators are explained by political economy rather than philosophy, though.

Much of what Parfit says is either self-evident or incomprehensible. Of course, one ought to interrogate the widespread intuitive appeal of equality as a primitive desideratum. Of course, a life spent trying to reconcile conflicting moral intuitions---just like a life spent trying to aggregate disparate consumption tastes---is a life well lived. And surely it is a salubrious habit to challenge the logic of being upset about geopolitical developments today so much more than about the tragic events of the past. Perhaps, it is thanks to Parfit's work in the 1980s that these truisms are perceived as such today. 

14 May 2023

Mamma Mia!

 (Teatro de los Insurgentes, 13 May 2023)

This is not a West End production, where you are only as good as you are in your current part. Here, the actors and actresses are familiar faces from telenovelas. Except for the lead: Sofia Carrera. This is her breakout role. It is suggestive of certain meritocracy in the world of theatre that an eighteen-year-old newcomer, rather than an established forty-year-old actress, would be chosen to play the part of a twenty-year old protagonist.

Brenda Marie and the Tiger

(12 May 2023, Milo's)

The successful are obsessed. They bring joy. Indeed, in society that functions well, an important dimension of success is the ability to bring joy; one cannot be successful in abstract, without giving others what they want. (In society that functions poorly, one can find success by destroying competitors and by destroying value, without ever giving anything in return.)

Brenda Marie and the Tiger are perfectly matched. The Tiger is a consummate pianist with an acute sense of timing. Brenda Marie lives every song.

People become artists and entrepreneurs in order to retain creative control over their lives, in spite of the  risk of penury. Brenda and Tiger are in full control. At least for the duration of the performance, they are free, and the audience gets a taste of freedom, too.

Folía

(12 May 2023, Un Teatro)

Dancers’ trim bodies maximise the expressiveness of the messages they transmit. There is little fat to disrupt the message.  Every muscle speaks. Emotion and thought are transmitted reliably and fast.

Humans are large language models. Garbage in, garbage out. One ought to live a life that does not regurgitate others’ regurgitations. One should live. If one does not and trains instead on the same stories that others train on, then—unless one is better at training than everyone else—one is dispensable; it is as if one had not lived. When everyone trains on the same stories that others train on, the society is hierarchical, with everyone ranked according to his ability to train. A highly hierarchical society like this is akin to the world in which everyone is required to make a living by being a professional opera singer while no one wants to hear opera from anyone but the one singer who is the very best; this is an impoverished world.

21 April 2023

"El Traidor" by Anabel Hernández (2020)

Monopoly restricts output. The government outputs violence. Competing governments output even more violence. Cartel competition (with each other or with other forms of government) produces excessive violence.

15 April 2023

EXPO Chicago

 (15 April 2023, The Navy Pier)

Like so very much does in this urban agglomeration, this exhibition, too, had the air of a money-laundering operation. One usually comes to an art fair to see, be seen, and to transcend the quotidian through communion with beauty. EXPO Chicago had the ambience of a car show, but without the cars. Some pretty pictures showed. But who was listening?